Out With the Old.....

As we wind down 2010, and look ahead to 2011, I wanted to take care of one of my several loose ends from the past year.

Back in July, I met a guy named John on the D train. He had tattooed arms and we chatted a bit. He said he'd send me photos and he did a few weeks later.

I never posted the photos because the resolution was low, and when I tried to increase the size, they blurred. I was going to include these in the Christmas housecleaning post, but the work is just too good.

So hear you have them, small photos, but recognizably amazing:

I mean, what is there to say? This work is quite excellent. The koi, the tiger, the sailing ship, sugar skull, nautical stars - it's all quite a body of work!

The artist is Nacho, who appeared once before on the blog here. You can check out Nacho's work here. in New York, he tattoos out of Studio Enigma on Avenue U.

Thanks to John for sharing these amazing tattoos with us here on Tattoosday!

And thanks to all of our fans and contributors for making 2010 a successful year of inkspotting!

Sugar Skull Sunday: Hannah and Her Family

I met Hannah in Penn Station one afternoon after spotting this amazing sugar skull on her upper left arm:

Here is a broader glimpse of the tattoo:

Hannah has over twenty tattoos and told me she wanted this piece to have alot of different elements in it. The gold tooth was a must, because Hannah loves pirates.

Gold teeth in sugar skulls are not necessarily unusual. Chainsaws, however are a bit out of the ordinary:

The chainsaw, Hannah explained, is a tribute to her uncle, who is a lumberjack. And, she added frankly, the bottle is there to acknowledge her grandfather, an alcoholic.

This sugar skull was completed in two 2-3 hour sessions by Tim Barnes at Holeshot's Premium Tattoo & Piercing in Amherst, Massachusetts. Tim has moved on to Florida, according to Hannah, but I haven't been able to identify where he is currently working.

Readers can see all of the sugar skulls previously posted on Tattoosday by clicking here or on the Sugar Skulls tag at the end of the post.

Thanks again to Hannah for sharing her sugar skull with us here on Tattoosday!

Sean Shares a Host of Traditional Tattoos

I ran into Sean at the Foodtown in my neighborhood and when I stopped to talk to him about his tattoos (he has nine), I ended up with photos of several pieces, all of which reside on his left arm.

Most of the designs are traditional tattoo subjects, all of which were inked by Eli Quinters at Smith Street Tattoo Parlour in  Brooklyn. Work from Smith Street Tattoo has appeared previously on Tattoosday here.

First up is this amazing lighthouse:

Sean explained that this tattoo is for his mother, as this tattoo is based on her "favorite lighthouse," the Fastnet Lighthouse on the most southerly point on the coast of Ireland.

Then there is this owl tattoo:

This was done for no other reason that Sean has always liked owls. If you love owl tattoos, be sure to head over to this site.

Then there is the elephant tattoo:

He has this piece because "elephants never forget".

I know we posted a sugar skull yesterday, but here's another one:

This was all Eli's design. Sean gave him free reign and likes the fact that it is unusual in that there are not a lot of colors in it, like one sees in most sugar skull tattoos. For all that have appeared on Tattoosday previously, check this link.

There is also the traditional female figure, not modeled after anyone in particular, just done in a traditional style:

And Sean's last tattoo is this bat:

He told Eli that he "wanted something spooky" that included the moon. Quinters free-handed this piece, starting with a white Sharpie and then finished with a darker Sharpie before finishing the tattoo.

What's neat about all of Sean's tattoos is that they flow nicely together, as readers can see elements of many of the tattoos on the borders of the photos of specific designs.

Thanks to Sean for sharing these amazing tattoos by Eli Quinters with us here on Tattoosday!

Sugar Skull Sunday - One From Ryan

Since I seem to capture more sugar skulls than any other design, why not reserve a day just for these decorative symbols which, at their roots, have deep religious significance?

Two weeks ago, I met Ryan, who has ten tattoos.

Of that lot, he offered up this design on his left bicep, which Charlie Foos created for him at FlyRite Studios in Brooklyn.

Charlie Foos is now at Read Street Tattoo Parlour in Baltimore.

Aside from the traditional nature of the sugar skull tattoo, Ryan also loves Mexico and this design recalls that beautiful and diverse culture south of the border.

Thanks to Ryan for sharing this decorative tattoo with us on Tattoosday!

Work from Charlie Foos has appeared previously on Tattoosday here.
Tattoosday posts tagged FlyRite Studios are here.
Tattoosday posts tagged Reade Street Tattoo Parlour are here.

Sebastian's Sugar Skull

A small post about a sugar skull for a Friday.

I met Sebastian on 33rd Street between Sixth and Seventh Avenues last week.

Among his several tattoos is this sugar skull that was inked by New York City artist Byron Velasquez:

Byron now tattoos out of Abstract Black NYC. Work from Byron has appeared previously on Tattoosday here.

Loyal readers will know how I seldom tire of sugar skull tattoos and, whenever I post one, I like to link the tag (click here) that unites all previous Tattoosday sugar skulls appearing on the blog.

Like snowflakes, sugar skull tattoos are never identical.

Sebastian appreciates his sugar skull mostly for the way it represents both life and death.

Thanks to Sebastian for sharing his sugar skull with us here on Tattoosday!

Jessy's Sugar Skull (Tattoorism)

In what I refer to as tattoorism, today's selection is a reader-submitted tattoo that comes to us from Jessy, in Denver, Colorado.

Jessy writes:

"I was looking at your blog, and since you love sugar skulls, I thought I'd share mine with you...I had it done in Santa Fe by Guido Baldini [As of publication, Mr Baldini's site is not connecting, but he is tattooing at Inborn NYC in Manhattan through July 2, 2010, according to the shop's MySpace]. A bit of a story behind it... at the time, last September, I was just developing a chronic pain problem that was mainly in my left arm. The pain was (and still is) so excruciating that while on vacation with my family, when I should have been out to dinner and having fun (it was a bit of a reunion) I was instead in the hotel room, eating percocets, and just miserable and crying and pissed off and not understanding WHY this pain wouldn't leave me the hell alone. So the next day my brother and I wandered into a tattoo shop [most likely Four Star Tattoo] and a couple hours later I emerged with this - my 1st tattoo!  It was meant to kind of scare the pain away while also reminding me of a (otherwise) great trip with my family to a town I fell in love with. I think Guido did a great job. I love my sugar skull. I plan to go back to Santa Fe soon and have him add some more flowers to it."

Those of you regular readers with good memories may recall that I recently ran into the artist's cousin and he shared this piece, inked by Mr. Baldini in New Mexico.

Thanks to Jessy for sharing this cool sugar skull with us here on Tattoosday!

Juli's Right Calf: A Sugar Skull and More!

Back in April, I met Juli, who hosts a dozen tattoos, and counting.

She offered up two pieces, both on her right calf.

First was this sugar skull, inked by Chris Strangebreu, who currently is working out of Studio 33 Tattoo on St. Mark's Place in Manhattan:

Always a fan of sugar skulls here on Tattoosday, I was glad that Juli was more than happy to share this tattoo. She pointed out that the flowers are Gerbera daisies ("my ultimate favorite flower ever") and that the eyes and the tips of the daisies have unusual accents. Chris used an ink known as "Japanese pink,"  which makes the specific areas of the piece glow in the dark.
 
The other tattoo Juli shared is part of what she envisions to be a larger piece that will wrap around her calf and thematically connect with the sugar skull:

This was done by Geoff Horn at the Philadelphia Tattoo Arts Convention.

I'm hoping that this won't be the last we see from Juli, and I thank her for sharing these great tattoos with us here on Tattoosday!

Amy's Sugar Skull from New Orleans

Amy shared this sugar skull with me a week or so ago:


Clicking this link will display the vast range of sugar skulls that have appeared here on Tattoosday over the years.

They are one of my favorite types of tattoos to post, because they tend to vary from one to another and can be uniquely personalized.

Amy got this one on All Saints' Day, in honor of her grandfather.

She was at the New Orleans Voodoo Tattoo Convention and an artist named Joey just free-handed the drawing on her arm.

Thanks to Amy for sharing her sugar skull with us here on Tattoosday!

Day of the Dead Special: Electrical Sugar Skull

I met Mike at the end of September, but have been hanging on to this post to share today, on the Day of the Dead:


I've posted numerous sugar skulls here (click this link to see all posts tagged as such), but this one is particularly interesting due to its proximity to the tattoo below, which is the logo for the International Brotherhood of Electrical Workers (IBEW), or the electrician's union, to which the contributor belongs.



The tattoos were done by Rob Hotte at the incomparable Lotus Tattoo in Sayville, New York.

For an extra El Día de los Muertos bonus, I encourage folks to check out my old friend Mike's Day of the Dead Mariachi troupe here.

As for this post, I thank Mike for sharing his incredible tattoos with us here on Tattoosday!

*

Extra bonus material:

About 2 months ago, a reader named Leslie sent me the following blurb:

Hi! I ... sent you a link to Albuquerque's Tinta Cantina - the shop does all kinds of work but they really do a lot of Day of the Dead stuff - in particular - look under the artist Jason. I do not work there, nor am I trying to promote them - I just think that the tattoos done here in New Mexico are quite different from the interpretations you show from the East Coast and that you might find it interesting.

Thanks to Leslie for sharing this link with us here on Tattoosday!

Magie's Unique Sugar Skull, Inked by Big Ant (1978-2008)

I was a happy little inkblogger last Friday night when I made it to the 4th anniversary group art show at Tattoo Culture in Williamsburg, Brooklyn.

Happy, because I got to meet the awesome Marisa Kakoulas from the fabulous Needles and Sins tattoo blog, along with the equally-cool Brian Grosz, who is also a major creative force behind the site.

And happy because I was in a bright room with art on the walls, created by talented tattooists, and I was surrounded by people with incredible body art.

But therein lies the conundrum: great tattoos, in a hip tattoo setting, are top quality and, despite Tattoosday's success, I am still reluctant to whip out the Polaroid digital camera when, for all I know, the ink around me may have been professionally photographed and featured in glossy tattoo magazines.

So I had resigned myself to leave sans photos, knowing I had a groovy time and was able to meet other tattoo writers, when I noticed a very interesting sugar skull on the back of a young woman's right arm. Voila:


Of course I chatted a long time with Magie before I asked her if I could snap a picture, so I learned a bit about the tattoo before I asked.

Magie Serpica is an artist and tattooist who works at the newly-opened Bound for Glory Tattoo Studio in Staten Island.


The shop was co-founded by Nick Caruso who also tattoos at Flyrite Studio in Brooklyn. One of Nick's tattoos appeared here back in July on Tattoosday.

One of Magie's paintings was hanging on the wall at Tattoo Culture:

(reprinted with permission of the artist)

We talked at length about tattoos, what she called an under-served market on Staten Island (they are the first full-custom shop) in the borough (no flash on the walls, please) and have a promising future ahead.

We also discussed how difficult it has been in the past to be a female tattoo artist, how frustrating it is not to be taken seriously, and how Kat Von D. and the multitude of tattoo reality shows have helped break down the stereotypes and allowed Magie, as a female artist, to receive more respect as an artist.

Like most tattoo artists, Magie is covered in ink, with no idea how many tattoos she has ("If you can still see skin, it's not enough").

The sugar skull in question was tattooed by Anthony Gregory, aka Big Ant, a Staten Island artist who tragically passed away last year after falling ill in Las Vegas (see the sad news reported here).


She had asked him to give her a sugar skull and she had a general idea about his style, so she gave him total artistic freedom. The end result was fascinating - a unique, almost post-modern interpretation of a classic tattoo design. The angled perspective and the depth to the eyes give this tattoo a greater three-dimensional feel than your standard sugar skull.

I also like how the rose is just as important as the skull, its stem wrapping around it and adding another layer of depth.

I thank the good people at Tattoo Culture for opening their doors and allowing me the opportunity to meet some great people.

A special thanks to Magie for sharing her awesome tattoo with us here on Tattoosday. Be sure to visit her in the new shop, Bound for Glory, in Staten Island.

Here's hoping we'll see more of their work in the future!

Valarie's Sugar Skull

Tattoosday is no stranger to sugar skulls. They are popular tattoos and always welcome additions to the site. It certainly seems, like snowflakes, no two sugar skull tattoos are exactly alike. Clicking here will allow you to see all the sugar skulls in the Tattoosday family.

Well, it certainly has been a while since I posted one here and, running into Valarie on the subway platform at West 4th Street, afforded me the opportunity to capture another for Tattoosday readers to admire:


Valarie is working on a half-sleeve and has both feet inked. She is particularly sentimental about this sugar skull because it was the first tattoo she received.

Like many folks, she loves the color and symbolism of Mexican Catholic art and the way they translate so well into tattoos. This traditional piece is on her inner left forearm and she has a sacred heart on the outer side.

Alex Franklin at Brooklyn Ink is the artist of this lovely tattoo.

Thanks to Valarie for sharing her first tattoo with us here on Tattoosday!

Landon's Sugar Skull

One of my favorite tattoos to feature here on Tattoosday are sugar skulls. Clicking here (or on the tag at the bottom of the post) will display all of the sugar skulls featured on the site and, undoubtedly, demonstrate that, like snowflakes, no two sugar skull tattoos are the same.

I met Landon last week on Broadway during the lunch hour. He has thirteen tattoos in all, and he offered up this piece, on the back side of his right biceps, to share:


To Landon, there is no hidden meaning behind the tattoo, it is more decorative in its purpose.

The tattoo artist responsible is Jamie Ruth, who inked this at Dare Devil Tattoo, but is moving to London, and has been guest tattooing here and there.

Thanks to Landon for sharing his sugar skull with us here on Tattoosday!

Claire's Sugar Skull Celebrates Her Grandmother's Life

I met Claire last week, a couple of buildings down from where I work in Manhattan. I first noticed some script pieces she had on her inner wrists, but she unveiled this beauty of a sugar skull for Tattoosday.

She had this inked on the inside of her left bicep as a memorial to her grandmother, who had passed away. One of her favorite Catholic holidays had been the Day of the Dead, and Claire saw this design as a fitting tribute to her. Although sugar skulls come from Mexican culture, their root is in Catholicism.

People see sugar skulls in many different ways (see previous sugar skulls posted on Tattoosday here), and Claire sees them as celebrations of life, which made the piece so fitting as a memorial.

This was inked by Alex Franklin at Brooklyn Ink. See other work from Brooklyn Ink on Tattoosday here.

Claire is a talented photographer whose work can be seen on her website here.

This is just one of 17 tattoos Claire has. See three more "small" pieces she has here.

Thanks to Claire for sharing her work with us here on Tattoosday!

An Elaborate Sugar Skull Reminds Chris That Death is Part of the Fabric of Life

Last Friday, I did my civic duty and served jury duty for Kings County Supreme Court. We were assembled and shown a video. They collected our cards and the first group of 30 citizens were called. I was among them. A court officer walked us several blocks to a different building. We passed through the lobby and broke into small groups to enter the elevators up to the 19th floor. In the elevator, I noticed I was standing next to a guy with with sleeves rolled up to mid-forearm. His right arm had an amazing sugar skull tattooed on it.

As luck would have it, the tattooed individual sat next to me on a bench outside a courtroom while we waited. And waited. And waited. Fortunately, we had something to talk about: tattoos (with a little surfing thrown in).

Chris and I talked for over an hour. Then, we were dismissed. No longer needed. Three hours of jury duty rather than three days. Since my camera had to be checked by security at the main courthouse, Chris walked back with me and let me take a couple of shots of his sugar skull.

This tattoo was inked by Adam Hays at Red Rocket Tattoo. There have been many sugar skulls posted here, but this one is among the most intricately done. The detail is phenomenal.


Chris, who is heavily inked, values this tattoo because the sugar skull's symbolism reflects the fact that he doesn't like to mourn death. It is a part of the natural cycle of life, and this piece helps him deal with life's problems.

He followed up with an e-mail expanding on his philosophy:

"...In my childhood/teenage years, a lot of close friends and family passed away in a short period of time - and yes - I was devastated, but couldn't just tie myself up in the mourning process, because that's what people do - they live and they die. And when I was first introduced to the concept of the sugar skull and it's meaning, [I came to understand] it's really all about embracing the power of death into the fabric of life. The symbolism of the sugar skull to me is kind of a way of transforming the painful 'miseries' of death into a source of nurturing and internal strength. It's a way for me to cherish my fallen dead and a way for their memory to live on in me (or, on me, for that matter). In any case, I feel that it's kind of ingrained in our culture that we need to feel grief and despair when someone dies, but you don't always have to follow the trend. The sugar skull is a way to remember, honor, and feel closer to the dead. And that's what it reminds me of each time I see it."

For prior posts with sugar skulls, click here.

For prior posts with work from Red Rocket Tattoo, click here.

Thanks to Chris for sharing his Sugar Skull tattoo here on Tattoosday!

Tattoos from the Blogosphere: Mat's Take on the Sugar Skull

Everyone remember Mat? His ink has appeared previously on Tattoosday here and here. Well, he has been a lean, mean tattoo-accumulating machine. Remember the infinity symbol on his wrist? It has a new neighbor:


Well Matt hat some might awesome work, and this piece just adds to the oeuvre of his canvas.

This is what is known as a Mexican sugar skull (a common recurring element at Tattoosday - in fact I just shot a new one on yesterday that will make its way here next week). Since Mat is currentl residing in Texas, let's let him explain this piece (with my scant editing, of course)...

It is a sugar skull, yes. Any work done on my forearms is significant to my son [Jack], and that's about it...[Jack's name is tattooed on the opposite wrist]

Since El Día de los Muertos [The Day of the Dead] is celebrated November 1 & 2, and Jack was born on November 1, I thought it would be fitting as I mulled over more and more the significance of the first day in the Day of the Dead celebration. The strange part is that the celebration on the first day is meant to honor the deceased infants and small children, whereas the second day is in honor of grown-ups/adults.

Also, we've noticed Jack at a super young age responsive to non-existent beings, as if he was communicating or interacting with something that wasn't there. It is said that during the Day of the Dead, it is easier for the departed to visit and communicate with the living.

After learning that, and remembering how focused he was as an infant on these things that I really wasn't able to make sense of, it all tied itself together.

Since it basically wraps my forearm, it's kind of hard to see how it is bookended by a rose on each side, ocher-shaded, and footnoted by a traditional red rose with okra folds.

This was also another piece by Travis Stanley at 713 Tattoo Parlour in Houston, and was tackled as we went along. I enjoy working like that- researching with the artist and maintaining the level of comfort to develop a meaningful piece that sometimes only makes itself apparent after a day or so of life on the body.

The bizarre color scheme and the bluish brain matter seen behind the top of the piece, behind the red cracks in the skull, are meant to convey the playfulness of a candy skull, but also to introduce a slight feeling of discomfort or uncertainty when a closer look is taken.

Thanks to Mat for sending this along, and giving us a behind-the-scenes perspective of the piece. We can always rely on Mat to get us to look beyond the tattoo and come to a better understanding of the thought process, as well as the creative instincts, that helped craft his body art.

The First Two Elements of Omar's Sleeve

I was sitting in my local coffee establishment Sunday morning when I overheard some words that got my attention. Among the words uttered were “traditional,” “sleeve,” and “work”. I looked up to see a guy talking to the barista. He had a tattoo on his wrist. I waited until he was done talking to the guy behind the counter and spoke up when he walked by.

His name is Omar and he has two tattoos, both on his inner right forearm:


His first one is the nautical star, definitely a traditional piece:

He explained that, as he understood it, the nautical star tattoo is a common piece that represents a star guiding a sailor home on the right path. He had flames added to symbolize change, as it so often does in tattooing.

This was not inked at any shop, but by one of Omar's friends who is just learning the art of the tattoo. He pointed out that the line work was not perfect, but I wouldn't have noticed it without a harder glance.

The second piece is a traditional sugar skull, very similar to the one that appeared in Tattoosday's "Rad Tattoo from Nebraska" post:


Omar had first gone into Brooklyn Ink and discussed his second tattoo it was there that the artist recommended that he should stay traditional to be consistent with the nautical star.

He ended up in SoHo at Whatever Tattoo II where he had the sugar skull added. I'll be frank, I thought that the design was just a Day of the Dead piece and only recently learned of the significance of the sugar skull. These items are usually associated with the Mexican Day of the Dead holiday, and are made specifically for the ocasion using colored sugar. In the context of the tattoo they represent the dichotomy of life and death. This tattoo is only about two weeks old.

Omar says he plans to have a full sleeve dedicated to traditional tattoo symbols. He next hopes to add to the background of the skull with some flowers and other designs.

Thanks to Omar for his contribution to Tattoosday!

Rad Tattoos from Nebraska

There are no defined rules for asking folks to volunteer for Tattoosday, but I have alluded to some personal guidelines, like the reluctance to interrupt people who are talking, or my tendency to select individuals who are stationary and generally alone. I have also said I will not follow people. Too creepy, generally speaking.

However, when something spectacular presents itself, all bets are off.

Friday morning, around 11:30 am, I was facing North on the southwest corner of 34th Street and 6th Avenue, on the outskirts of Herald Square, when I saw a heavily-tattooed woman across the street, walking with a guy, heading West. When the light changed, I had already decided to go take a closer look.

About half-way down the block, in front of Macy's, I caught up and without hesitation, tapped her on the shoulder and interupted her discussion with her companion. What inspired me to such boldness? Why this, dear readers:


Although not a completely finished back piece, it was breathtaking, especially if one admires quality ink. Click on the photo to enlarge. She also had tattoos running on both arms as well, neither of which I photographed.

I did my basic introduction and she was immediately receptive. Her name was Jill and she hailed from Nebraska.

After agreeing to participate, I asked her to offer me a piece that she felt most sentimental about. She had a hard time answering. I elaborated, "What one do you have the best memories about?" She selected the one I would least likely have chosen, but I was thankful that she was letting me add her to Tattoosday.

At the top of her right foot, at the bottom of the leg, she had the word "Rad" tattooed.

Jill explained that she and five friends had gone out together and each had a word inscribed on them permanently. The memory of the event clearly had an impact on her. When I asked "Why RAD?" She shrugged, "It's just a word I liked. One of my other friends had gnarly tattooed on her neck."

The tattoo was done in Omaha, Nebraska at Liquid Courage Tattoo and Piercing by the artist Jason Brown.

She said technically she only had 6 tattoos in all. She counted her 2 sleeves as one apiece. And I'm guessing she counted the back as one whole as well, despite the many components.

Well, I didn't want to take up too much of her time, standing in the sidewalk. In fact, while chatting with her, a couple stopped and the woman complimented her on her tattoos. With art like this, I'd imagine she gets that a ton!

I asked if I could take a shot of her back, she agreed. I thanked her and ambled off. I did notice when I uploaded the photo to the home computer later that the back piece still needs a little coloring which might be why she didn't offer it up right away as the tattoo I should photograph.

Of course, I want to dwell on the back a little longer. The script states "Traveler to the Grave".
I will take a stab at interpretation and attribute it as a reference to the lyrics of "How Can Anybody Possibly Know How I Feel?", a song from Morrissey's 2004 album You Are the Quarry:

But even I, As sick as I am, I would never be you
Even I, As sick as I am, I would never be you
Even I, Sick and depraved, A traveler to the grave
I would never be you, I would never be you

I also love the image on the neck, which is traditionally known as a calavera, attributed to the Dia de los Muertos, or the Day of the Dead in Latin American cultures.


The heart on the left side of the back is, I am surmising, a tribute to her grandfather. The strap of Jill's top covers up the first date partially, but I am leaning toward 1927-2004 as the span at the bottom of the heart.

Thanks to Jill for so kindly sharing her art with me! If you're reading this, Jill, and feel like sending me any shots of your sleeves, feel free to e-mail me. I hope you had a wonderful trip to New York City. Thanks for brightening my day!